{"title":"History Books","description":null,"products":[{"product_id":"this-long-thread-women-of-color-on-craft-community-and-connection-jen-hewett","title":"This Long Thread: Women of Color on Craft, Community, and Connection - Jen Hewett","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"abaproduct-body\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cb\u003eCelebrate the diverse work of people of color in the craft community and explore the personal, political, and creative potential of textile arts and crafts.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn early 2019, the craft community experienced a reckoning when crafters of color began sharing personal stories about exclusion and racial injustice in their field, pointing out the inequity and lack of visible diversity within the crafting world. Author Jen Hewett, who is one of a few prominent women of color in the fiber crafts community, now brings together this book as a direct response to the need to highlight the diverse voices of artists working in fiber arts and crafts.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWeaving together interviews, first-person essays, and artist profiles, \u003c\/span\u003e\u003ci\u003eThis Long Thread\u003c\/i\u003e\u003cspan\u003e explores the work and contributions of people of color across the fiber arts and crafts community, representing a wide spectrum of race, age, region, cultural identity, education, and economic class. These conversations explore techniques and materials, belonging, identity, pride of place, cultural misappropriation, privilege, the value (or undervaluing) of craft, community support structures, recognition or exclusion, intergenerational dialogue, and much more.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBe inspired by the work and stories of innovative people of color who are making exceptional contributions to the world of craft. The diverse range of textile artists and craftspeople featured include knitters, quilters, sewers, weavers, and more who are making inspiring and innovative work, yet who are often overlooked by mainstream media.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e","brand":"Bolt Fabric Boutique","offers":[{"title":"Default Title","offer_id":40225542963247,"sku":"BK-Hewett1","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/5433\/2207\/products\/ThisLongThread.jpg?v=1637009350"},{"product_id":"craeft-an-inquiry-into-the-origins-and-true-meaning-of-traditional-crafts-alexander-langlands","title":"Cræft: An Inquiry into the Origins and True Meaning of Traditional Crafts - Alexander Langlands","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFaced with an endless supply of mass-manufactured products, we find ourselves nostalgic for goods bearing the mark of authenticity―hand-made tools, local brews, and other objects produced by human hands. Archaeologist and medieval historian Alexander Langlands reaches as far back as the Neolithic period to recover our lost sense of \u003c\/span\u003e\u003cspan class=\"a-text-italic\" data-mce-fragment=\"1\"\u003ecraft\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e, combining deep history with detailed scientific analyses and his own experiences making traditional crafts. \u003c\/span\u003e\u003cspan class=\"a-text-italic\" data-mce-fragment=\"1\"\u003eCraft\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e brims with vivid storytelling, rich descriptions of natural landscape, and delightful surprises that will convince us to introduce more \u003c\/span\u003e\u003cspan class=\"a-text-italic\" data-mce-fragment=\"1\"\u003ecraft\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e into our lives.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e","brand":"W.W. 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She takes us from the opulent court of Louis XIV to the labor camps in modern-day Chinese-occupied Xinjiang. We see how textiles were once dyed with lichen, shells, bark, saffron, and beetles, displaying distinctive regional weaves and knits, and how the modern Western garment industry has refashioned our attire into the homogenous and disposable uniforms popularized by fast-fashion brands.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThanhauser makes clear how the clothing industry has become one of the planet’s worst polluters and how it relies on chronically underpaid and exploited laborers. But she also shows us how micro-communities, textile companies, and clothing makers in every corner of the world are rediscovering ancestral and ethical methods for making what we wear.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDrawn from years of intensive research and reporting from around the world, and brimming with fascinating stories, Worn reveals to us that our clothing comes not just from the countries listed on the labels or ready-made from our factories. 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Complete with step-by-step photos and insight into what alterations each sewing technique is best suited for, Bernadette walks you through every step of your sewing journey. For added inspiration, this book also includes profiles on exciting voices in the historic sewing community and their perspectives on how taking fashion into their own hands has changed their lives for the better. 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This richly illustrated volume features more than fifty creators whose work crosses divisions and hierarchies formerly segregating the fine arts from the applied arts and handicrafts.\u003cbr\u003e \u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eWoven Histories\u003c\/span\u003e\u003cspan\u003e begins in the early twentieth century, rooting the abstract art of Sophie Taeuber-Arp in the applied arts and handicrafts, then features the interdisciplinary practices of Anni Albers, Sonia Delaunay, Liubov Popova, Varvara Stepanova, and others who sought to effect social change through fabrics for furnishings and apparel. Over the century, the intersection of textiles and abstraction engaged artists from Ed Rossbach, Kay Sekimachi, Ruth Asawa, Lenore Tawney, and Sheila Hicks to Rosemarie Trockel, Ellen Lesperance, Jeffrey Gibson, Igshaan Adams, and Liz Collins, whose textile-based works continue to shape this discourse. 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As millions of African Americans sought greater economic opportunities and freedom outside of the American South, hundreds of thousands initially arrived in the Golden State. Many migrants carried quilts as functional objects and physical reminders of the homes they left behind. They also brought their quiltmaking skills, extending the art form’s Southern roots to the western United States in the later part of the 20th century.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFeaturing vibrant images of over 100 quilts by nearly 90 individuals―the majority of whom are women and have ties to the San Francisco Bay Area―and new research, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eRouted West\u003c\/span\u003e\u003cspan\u003e honors the resilience, self-determination, collective care and creative ingenuity of this distinctive migrant generation. Essays by scholars, curators, quilt historians and artists celebrate the joyful power of African American quilts as objects of beauty, memory and cultural reclamation within Black life, and explore the role of museums in their stewardship and preservation. This book accompanies a group exhibition of artworks drawn from the African American quilt collection at the Berkeley Art Museum and Pacific Film Archive.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"author notFaded\" data-width=\"237\"\u003e\u003cspan class=\"contribution\"\u003e\u003cspan class=\"a-color-secondary\"\u003e\u003cspan class=\"author notFaded\" data-width=\"145\"\u003eFeaturing contributions by\u003c\/span\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"author notFaded\" data-width=\"203\"\u003eDaphne A. Brooks\u003cspan class=\"contribution\"\u003e\u003cspan class=\"a-color-secondary\"\u003e, \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"author notFaded\" data-width=\"194\"\u003eBridget R. Cooks\u003cspan class=\"contribution\"\u003e\u003cspan class=\"a-color-secondary\"\u003e, \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"author notFaded\" data-width=\"169\"\u003eBasil Kincaid\u003cspan class=\"contribution\"\u003e\u003cspan class=\"a-color-secondary\"\u003e, \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"author notFaded\" data-width=\"140\"\u003eEli Leon\u003cspan class=\"contribution\"\u003e\u003cspan class=\"a-color-secondary\"\u003e, \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"author notFaded\" data-width=\"163\"\u003eAdia Millett\u003cspan class=\"contribution\"\u003e\u003cspan class=\"a-color-secondary\"\u003e, \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"author notFaded\" data-width=\"238\"\u003eMatthew Villar Miranda\u003cspan class=\"contribution\"\u003e\u003cspan class=\"a-color-secondary\"\u003e, \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"author notFaded\" data-width=\"224\"\u003eWendy M. Thompson\u003cspan class=\"contribution\"\u003e\u003cspan class=\"a-color-secondary\"\u003e, \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"author notFaded\" data-width=\"215\"\u003eA’donna Richardson\u003cspan class=\"contribution\"\u003e\u003cspan class=\"a-color-secondary\"\u003e, \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"author notFaded\" data-width=\"204\"\u003eCarolyn Mazloomi\u003cspan class=\"contribution\"\u003e\u003cspan class=\"a-color-secondary\"\u003e, \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"author notFaded\" data-width=\"214\"\u003eSharbreon Plummer. 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This migration or \"\"leave taking\"\" was a life-changing experience, consuming the longest time and widest distance these women would travel to establish homes and farms and help build communities for themselves and their families. This fascinating book presents quilts as documents of history to discover the women and their life stories. The book features 56 quilts made before, during, and after the journey west, as well as new information about the role of women in their communities. Each quilt is shown in full color, along with vintage photos of the makers plus information describing the quilt and the maker's family. Multiple appendices relate trail conditions, an analysis of the quilts, letters and narrations of the trail experience, and available resource locations.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e184 pp | 138 color \u0026amp; 40 b\/w photos\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e","brand":"Schiffer Publishing","offers":[{"title":"Default Title","offer_id":51153475928363,"sku":"9780764323164","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/5433\/2207\/files\/afea30d7c0f5d45b2ea6681a4c7d6e1106215ae7291a56b0d4fbb25dc9297a6a.webp?v=1755559895"},{"product_id":"swept-away-the-vanishing-art-of-broom-making-karen-hobbs","title":"Swept Away: the Vanishing Art of Broom Making - Karen Hobbs","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSince Ben Franklin brought broomcorn to America from Egypt in 1790, the humble kitchen broom has been an integral part of our daily lives. 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Lauren Stowell and Abby Cox of American Duchess have endeavored to make the impossible possible by bringing historically accurate dressmaking techniques into your sewing room. Learn how to make four of the most iconic 18th century silhouettes—the English Gown, Sacque Gown, Italian Gown and Round Gown—using the same hand sewing techniques done by historic dressmakers. From large hoops to full bums, wool petticoats to grand silk gowns, ruffled aprons to big feathered hats, this manual has project patterns and instructions for every level of 18th century sewing enthusiast. 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